An empty white desk with a computer, glasses, mouse, and desk lamp in a minimal office space near a window.

I'm a visual artist and illustrator working primarily in digital media, creating work that explores the intersection of design, abstraction, and ideas. My practice is rooted in a fascination with structure. With how forms repeat, how systems take shape, and how visual elements can suggest something larger than what’s seen.

I’m drawn to geometry, grids, and modular forms for their aesthetic qualities and for how they reflect the way we process information and build meaning.

Using flat color, bold composition, and a sense of rhythm, I build images that are both precise and open to interpretation. While the work often carries a schematic or architectural quality, it’s also about intuition about the quiet decisions made in the process of arranging, repeating, refining.

I care deeply about good ideas both as concepts and as forms. My work is an attempt to give shape to clarity, to curiosity, and sometimes to ambiguity. I’m interested in how a visual system can express information with feeling and how abstraction can be both analytical and emotional.

Over time, my images have appeared across editorial, commercial, and cultural spaces. But at the heart of it, my work is a reflection of how I think: visually, systematically, and always in search of that moment when everything clicks into place.

Select clients:

Tech & Corporate: Microsoft, MasterCard, Nike Canada, Canada Goose, McKinsey & Co.
Media & Publishing: New York Times, Time, Fast Company, Inc., Scientific American, Newsweek, Wall Street Journal, Forbes, Los Angeles Magazine, Boston Globe
Entertainment & Retail: ESPN, Warner Bros Records, The Walt Disney Company, Papyrus, FAO Schwarz
Education & Institutions: Harvard Business Review, Dartmouth University, Berklee College of Music, Stanford University, Johns Hopkins University
Nonprofit & Environmental: Sierra Club, National Audubon Society